Barcelona, Spain: Castell de Montjuïc

To start off our second morning in Barcelona, we took a cab to Castell de Montjuïc, also known as the Montjuïc Castle.

During a revolt in 1640, a fortification was built atop the Montjuïc mountain. It was attacked the following year, and eventually became a castle in 1694. In 1751, after a back-and-forth struggle of who had possession of the castle, the old fort from 1640 which stood inside the walls of the castle had been demolished. A moat was placed around the castle, and from 1779 to 1799, construction to provide accommodations took place within the castle, since the population within the walls was growing.  120 cannons had also been placed within and around the castle.

In the mid 1900’s, the castle served as a military prison, but in 1960, the castle was given back to the city. The following three years were spent turning the site into a military museum, and it opened as such in 1963 (http://www.bcn.cat/castelldemontjuic/en/welcome.html).

We walked around the grounds of the castle, and each angle of the castle had a different view of the city—one side of the castle provided us with a view of La Sagrada Familia, whereas the other side provided us with a view of the Port of Barcelona (pictured below). After touring the castle, we headed towards Telefèric de Montjuïc, which is the Montjuïc Cable Car. As the cable car brought us down the hill, we saw the entire city from a 360 degree angle. It was absolutely breathtaking!

 

 

Advertisements

Barcelona, Spain: La Sagrada Familia

As we concluded our visit to Gaudí’s Casa Battló, we walked over to another one of his masterpiecesLa Sagrada Familia. In 1882, construction on La Sagrada Familia began with its first architect, Francisco de Paula del Villar y Lozano. However, due to various disagreements and conflicts, Antoni Gaudí was asked to take over the job in 1883.

To give some background information about Antoni Gaudí, he was born in 1852 and died in 1926 a few days after being hit by a tram. Nobody recognized him since he appeared to be a “beggar” due to his clothes, so he did not receive the immediate treatment. By the time somebody recognized who he was, his condition had deteriorated, and he unfortunately passed away within a few days at the age of seventy-four.

Alongside the church is a museum that showcases the numerous stages of La Sagrada Familia’s construction. One of the walls in the museum highlights a quote from Gaudí (pictured below), and it has since stuck with me. The quote states, “We must all contribute, as it has to be the church of a whole people.” Even after Gaudí’s passing, construction of La Sagrada Familia has continued, and his dream for the church is still, to this day, becoming a reality. Its expected completion date is set for 2026, so there is much to look forward to!

People from all over the world come to see La Sagrada Familia, and both the beauty and spiritual energy that fill the church are truly incredible. There are no words to describe how breathtaking the church is—inside and out—and the fine details in every nook and cranny are immaculate.

The structure of the church is quite interesting. Once completed, “The design will be completed with four domed structures, some 40 metres high, sited at each corner: two sacristies on the northern side; and on the southern side the baptistery and the chapel of the Holy Sacrament and Penitence. These four constructions and the three facades will be linked by a wide, covered corridor, with a double wall, referred to as a cloister by Gaudí, which will insulate the central nave from noise from the street, and allow circulation from one building to another without the need to cross the main nave.

Gaudí’s plan was for a group of 18 towers: 12 shorter ones on the facades (bell towers which will be 100 metres high, representing the Apostles), and six taller ones in the centre in a pyramidal layout reflecting the hierarchy of their symbolism. Of these, the tallest will be the one above the central crossing, representing Jesus Christ, reaching 172.5 metres in height. It will be surrounded by four, slimmer, 135-metre-high towers representing the four Evangelists and their Gospels. A further tower will cover the apse and will represent the Virgin Mary.

Gaudí wanted to construct a building that would make an impact on the skyline, but also show his respect for the work of God, which in his opinion should never be superseded by man: at 172.5 metres tall, the Sagrada Familia is one of the tallest religious buildings in the world but remains a few metres below the height of Montjuïcthe highest point in the municipality of Barcelona”(http://www.sagradafamilia.org).

Day 1 In Cartagena, Colombia Continued: El Castillo de San Felipe de Barajas and Las Bóvedas

As we continued with the city tour of Cartagena, our next stop was El Castillo de San Felipe de Barajas, which took more than 130 years of construction, and was finally completed in 1657. It is all made by hand and it was built from the top to the bottom by African slaves who were brought to Colombia. As you might notice, the walls are inclined and not straight because if a cannon were to hit the walls, it would not be able to go through it.

On top of the fortress, we came across the Colombian flag which is yellow, blue, and red. The yellow is meant to represent gold, the blue is supposed to represent the ocean (Colombia is the only South American country with two oceans), and the red represents the blood of the country’s martyrs. Some say that the yellow represents blonde hair, blue represents blue eyes, and red represents red lips since Colombian women are known for their beauty.

Throughout the fortress, there are small tunnels because years ago, the Spaniards were small and were able to enter the tunnels and run through them. The British and French were tall though, so they had to duck their heads and were not able to dedicate their complete concentration to running since they had to worry about not hitting the top of the tunnels. There are also various cabins that can be found throughout the tunnels where individuals would hide, and if they didn’t have a password to enter, they would be killed.

The only person to actually live in the fortress years ago was the leader of the army. Everyone else lived in what was called the walled city (since the city was walled off from pirates as mentioned in a previous post), and when enemies arrived, someone was in charge of ringing a bell, and when it sounded, soldiers would go running up the fortress. As we made our way to the top of the fortress, it began continuously pouring rain. After waiting for nearly 40 minutes, our group decided to walk down the fortress in the rain and go back to the bus. By the time we got onto the bus, we were soaking wet, and of course, the rain stopped within minutes. After this downpour, floods filled some of the streets due to the rain, and we were told that by 2017, the sea level will rise nearly feet due to poor drainage throughout the city.

At the bottom of the fortress, there is a statue commemorating Blas de Lezo who was once known as “Patapalo” or “Pegleg” and eventually as “Mediohombre” or “Half-Man” due to the numerous injuries he suffered during his time in the military. In the statue, “The man is brandishing a sword in his left arm, because he lost his right arm in the Battle of Barcelona; minus one leg lost in the Battle of Gibraltar; and wearing an eye patch covering his left eye lost in the Battle of Toulon. This same man lost his life in the Battle for Cartagena, the last of his 23 campaigns. This man is Don Blas de Lezo” (http://www.cartagenainfo.net/glenndavid/blasdelezo.html).

After drying off at the hotel and changing our clothes, we got back onto the bus made our way towards Las Bóvedas. Las Bóvedas, also known as “The Vaults” were built as dungeons and consists of 23 dungeons which were used to hold ammunition and at one point, prisoners. These dungeons were the last thing built by the Spaniards to close off the walled city. Las Bóvedas currently consists of shops, and it is where many tourists can be found purchasing locally hand-made items goods and artwork.