Day 2 In Bogotá, Colombia Continued: Museo del Oro

After passing through the Museo Botero, we walked through the city and came across an obleas cart. Obleas are thin wafers that can be filled with jam, fruits, cheese, condensed milk, dulce de leche, or arequipe. I remember buying packages of this years ago in Guatemala, so naturally I ordered one to try it out here in Colombia. I ordered this one with condensed milk and jam, and it was delicious to say the least.

After taking a quick snack break, our tour continued at the Museo del Oro, Bogotá’s Gold Museum. Upon entering the museum, we were told that it contains somewhere around 53,000-55,000 pieces including metals and artifacts, with 32,000 of the pieces being pre-historic gold artifacts. This museum is also said to be the largest in South America, or at least that’s what our tour guide told us. The way that some of the artifacts have been displayed on shadows represents the ways in which various tribes once wore the golden pieces. Additionally, pictured below, you can see large emeralds, which are known to be very valuable in Colombia. Something I found very interesting was that the room containing these emeralds was secured in a vault and guarded by security, whereas all of the other rooms in the museum did not have such strict security.

Also found below is the Muisca Raft, also called the El Dorado Raft. In a certain ritual, the Muisca chief jumped into the lake along with gold and emeralds as offerings. This golden raft with people on it is a replica of what is believed to have been the raft with the Muisca chief and others before the offering. Since the offering, countless people have tried to dive into Lake Guativita to find the golden pieces, but since the lake is so deep, no one has had such luck. The last exhibit we came across in the museum displayed 3,200 pieces that had been found upon digging up old tombs.

An interesting fact about the city of Bogotá is that the founder of Bogotá came searching for El Dorado, the city of gold, but he instead found the city of Bogotá. Ironically, the gold museum is located next to where his house originally was.

As we drove off to our next stop, we were told that Justin Bieber visited Colombia a few years ago, and decided to graffiti some of the walls here in Bogotá. Surprisingly, he had a police escort surrounding him, and was allowed to graffiti the walls. Local graffiti artists ended up complaining to the government in protest of not being allowed to graffiti the walls, and the government ended up changing the rules. Since then, local graffiti artists are now allowed to graffiti throughout the city only with permission of buildings if the graffiti consists of approved art.

Our next stop included a lesson in one of Bogotá’s local sports, Tejo, which I’ll be posting about a little later on.

Day 2 In Bogotá, Colombia Continued: Museo Botero

Fernando Botero is one of Colombia’s most famous artists. Fortunately, we were able to take some time on our tour to explore his museum in Bogotá—Museo Botero.
Botero is known to paint individuals in a larger manner. He has explained that he paints voluminous people, not fat people. Specifically, he zooms in on their skin and not their facial features. He also doesn’t use models which is why so many of the people in his paintings look similar. One such painting that shows this is his version of the Mona Lisa, which is bigger in size and situated in front of the Andes.
One of the paintings pictured below shows a group of men, with only one of the men sleeping comfortably. This is because he is wearing a watch and to Botero, being in control of time represents power. If you notice, watches can be found in many of his paintings.
Fernando Botero donated much of his artwork to this museum, but had three conditions for doing so. The museum had to be free for everyone to enjoy, he wanted to display the artwork in the museum himself and place everything according to his personal preference, and the last condition was that the paintings could never leave this museum. With the conditions having been met, Botero donated 123 of his own paintings and other paintings that he possessed including many of Picasso’s pieces. In fact, Botero first started by painting artists whom he admired such as Picasso. Shortly thereafter, when Botero began painting other pieces, he painted a person with a guitar that had a smaller sized hole, but instead of calling this a mistake, he decided this would later become his style.
In the late 1970’s, Botero was driving with his son and second wife in Spain when they were involved in a terrible car accident. Botero’s son, Pedro, who was only a child, died in the accident. As a resulting injury of the accident, part of Botero’s finger was cut off. He later traveled to Italy and paid close attention to the sculptures throughout the country. Botero began sculpting because not only was it difficult to paint for some time after his accident, but because he was passionate about volume and knew that sculpting was a great way to give volume to his work. In addition to some of the various sculptures pictured below, you will notice a sculpture of a large hand, which is actually a sculpture of Botero’s hand.
Fernano Botero is the only living artist to sell a painting for over a million dollars, and his work is both enjoyed and celebrated throughout the world.